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Perhaps the most popular song form in modern music, the Verse-Prechorus-Chorus is also very versatile and strong. It features the inclusion of a prechorus, a bridge between your verse and your chorus that ties the two sections together with a central idea or melody, or a way to flip your chord progression around so the chorus makes sense starting on a new chord.

The tone that differentiates the Dorian mode from the standard minor (Aeolian) scale is its major 6th. To create a venerable Dorian sound, we’ll need to exploit the presence of that major 6th, and its contrast with the minor 3rd.

Looking to enhance your knowledge and mixing skills, practice your chops, and build your portfolio of work? We definitely have an online course for you.

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The points of reference are circled in red in the below image. Look at how the open string (Fret 0) and Fret 12 feature the same notes, but an octave above. The note of A appears three times so we can already see there’s a relationship between Fret 5 on the 6th string, and Fret 12 on the 5th string as well. We’ll explore this further as well.

But to begin with, let’s approach these phenomena with a sound much simpler than a hand clap — a sinusoidal (or sine) wave. If we depict it as a waveform (like in the above graphic), we’ll see a signal that passes smoothly from peak to trough and back again with beautiful, equal curves on either end.

“In My Feelings”: Check out the rad three-beat pickup to start. I’ll call it an intro, even though it’s only three-fourths of a complete bar. The guest verse, provided by The City Girls out of Miami, smashes into the chorus like peanut butter and chocolate for the most funky-crazy chorus variation of the year (C3). It’s so chopped up that Drake has to spoon-feed us the original chorus directly afterwards — although, technically, even this stabilizing chorus version counts as a variation because he drops everything out at the end for two whole bars before the bridge. Slick craftsmanship.

Morricone, Rota, Cipriani, Umiliani, Piccioni, Ortolani, Trovajoli: They’ve all influenced my work in countless ways, and not just in their shared collaboration with Edda Dell’Orso. Starting with Morricone and working my way down the line, I’ve tried to study the work of these composers as deeply as I can, and discover what it is about the kind of music they made which speaks to me on such a profound level.

Mentor: Raven Katz

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It’s totally fair to assume this song is in C minor. Sure, C minor chords shows up here and there, and much of the melodic content could be attributed to the C minor pentatonic scale. I wouldn’t blame anyone for thinking this song is in C minor.

Tredici Bacci’s new album, La Fine Del Futuro, is out now via NNA Tapes. And if you’re in New York City, Simon Hanes and Tredici Bacci will be presenting new work on June 26 at National Sawdust. More info here.

If, like many of us, you’ve read Sound on Sound’s fantastic audio production articles on the web, you’ve probably already learned something from Mike Senior. His experience writing for a wide audience of relative newbies, as well as seasoned pros in the industry, translates well into this more comprehensive volume. The book specifically covers mixing, not recording, starting with the assumption that you have a tracked project in front of you ready to mix (or that you’ve just received from a client).

Need help on a project, or buying a new piece of gear, or even deciphering your favorite band’s lyrics? Forums are where people go to help one another.

Fortunately, Karol Faragalli, a realtor friend of mine, was a tremendous help in our case. While many realtors got gun shy when they realized our difficulties getting a loan, she stood by us through the process and worked tirelessly to connect us with the right bank.