The Ray Charles project is called Au Palais des Sports-Live and was recorded in 1961 during his first European tour! The Serge Gainsbourg project, Premiers Tubes-Live, is composed of two live-on-radio sets recorded in 1961 and 1962 and contains an exclusive interview with Juliette Gréco, another French icon from that period. And thirdly, Premières Scènes-Live is a recording of Dalida’s first appearances on stage at the renowned Olympia in 1961 and on the radio show Discoparade in 1962.
According to the Ed Sullivan website, the popular host struck a handshake deal with Beatles manager Brian Epstein for, rather than a one-time appearance, a three-time opener/closer appearance. This offered exposure to over 23 million American homes on that very first performance, and thus, the ensuing Beatlemania took the United States by storm.
Well, you can kiss that source of tour stress goodbye! House shows are more favorable to touring musicians because the hours end up being a lot more friendly and respectful. Since most concert venues and clubs make money serving alcohol, it’s in their best interest to keep the crowds inside their doors for as long as possible. But since most houses have people living in them, shows tend to start around sundown and wrap up just a couple hours later.
80s rappers list
Johnson took a moment out of his highly sought-after time to chat with us about the company and its mission to change the way we discover and organize music.
Music Television, or MTV, came out with a bang (a rocket ship taking off and the words, “This is rock and roll”). Never before was there a 24-hour music channel, and the music that has shaped us may not have so severely affected popular culture at large if it weren’t for the invention of such a thing.
If you’re a jazz musician you’re also probably transporting your equipment to a ton of gigs, so getting something portable is a good idea. Here are some of my favorite choices for playing jazz:
Lulu has been languishing in jail, and the stage directions require a pre-recorded film to play, which begins to run in reverse halfway through the reel. The music matches this, pivoting on dense piano arpeggio that mirrors its ascent and descent:
That’s really what touring with your band is all about; the opportunity to get out there and do what you love in front of the people that love seeing it. It helps to know that when you arrive in a new city, there will already be a live music crowd ready to greet you with open arms. And some of the most vibrant, bustling music scenes — with great venues, great young bands, and audiences constantly looking for a good time out — exist in places with a few universities nearby.
Arts grants international
Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.
Songtrust can help. Register for Songtrust, and use promo code STSoundfly for 10% off! If your music is already on Spotify, go ahead and estimate your earnings here.
Susan Boyle does not fit the magazine standard, which of course is basically impossible for any woman, anyhow. Frankly, though, she doesn’t seem too interested in trying to do that. She just walked herself out there on internationally syndicated TV and slayed the competition on Britain’s Got Talent, and it was beautiful. She made a shallow and heartless industry take notice of her talent and judge her not on age or appearance but on the voice she possessed. Since then, she’s been praised by people in all walks of life, and one blogger even reported crying when she saw the video of Boyle singing. Thank you, Susan, you’ve sparked hope in a lot of people that this shallow world can have a heart and can change.
Learning to become an accomplished and knowledgeable audio engineer is an enormous undertaking. While we’re lucky to live in the age of the internet, where so much information is available for free, that information is not always presented in a form that allows us to make the best use of it. Spend time on YouTube, for example, and you’ll find a wealth of video content aimed at those who want to master the art of mixing, yet a lot of it is inaccurate, misleading, out of context and inapplicable, or simply incompatible with your own experience and what you’re attempting to do in the studio.
Will Kuhn suggests that the rhythms of “Clair de Lune” are so weird because Debussy was trying to notate rubato. That sounds plausible to me. It turns out that when you quantize the piece over beats, it sounds very syncopated and hip. Live and learn.