All of our mentored online courses come with six weeks of one-on-one professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Whether you’re interested in a topic covered by one of our courses, like Orchestration for Strings, Introduction to the Composer’s Craft, or The Creative Power of Advanced Harmony, or just to work with a Mentor directly to achieve a specific goal, we can help you get there.
Although the extent of this symmetry seems strange and eccentric, this idea isn’t actually as bizarre as you might think. Thematic inversion had been used by composers as far back as Haydn. The Second Viennese School, under which Berg had been educated, considered playing melodies backwards part of the library of techniques that could replace tonality.
Like everything in the guitar world, there’s a lot of debate about the differences between active and passive pickups and which are better. And like everything, it’s absolutely subjective. In my experience, passive pickups pick up more of the unique resonances and vibrations from the guitar, but active pickups tend to benefit the subtleties of the player’s actions on the string.
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The theremin is an instrument invented by Léon Theremin (Lev Sergeyevich Termen in Russian) in 1919. It has two metal antennae, and you play it not by touching it, but by moving your hands in the air between the antennae to control both the pitch and volume of the sound produced. We’ve written about the instrument in a past article, so head here to learn a bit more if you’re interested.
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I’m not surprised that creative feedback makes a difference; it’s the kind of feedback I wished I got from my own music teachers, not to mention my peers.
The promise of the era was that through intellectual property reform, we would move to a more artist-friendly and less commercial music business. But the more things change, the more things stay the same.
“Drip Too Hard”: They double the choruses and end the second verse with some title/refrain stuff. Hey, you know, one trend that I’d like to call cemented this year is that song form is becoming more and more lyric based. As songs are increasingly built around one single loop phrase, you have to base their form off of something, so it might as well be words. Because it used to be that the chorus, verse, and bridge would all have different chord changes, which would help determine the form. That’s just no longer so.
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There are often structural details that aren’t immediately obvious, so it’s worth taking some time with this and thinking about a song from as many angles as possible. You can get as detailed as you’d like, but here are some things we recommend looking at to get started:
Four years later, I was on my first-ever DIY tour with the original lineup of band whose name I need not mention — it was a rough, January midwest tour… Cold and unforgiving. We maintained sanity by cancelling two of our Ohio shows and hanging out in Chicago for a week, where Borey Shin (composer and keyboardist extraordinaire) bought a Morricone soundtrack called Giornata Nera Per L’Ariete, and that drove the final nail into the coffin, so to speak. There was a Russian website at the time where you could pirate every Morricone soundtrack for free, so I started doing my homework.
Dr. Ericsson makes a similar point. Playing the same thing over and over again might feel good without ever really helping you improve at the parts that are giving you the most trouble or mastering how to approach a similar piece next time. This passage was particularly illustrative to me:
You did it! It took months of hard work to plan your tour and, despite the inevitable bumps along the road, it was most definitely a worthwhile experience.
Going on tour soon but don’t know how to get the word out? Here’s a list of amazing strategies to put your band on the map and make your travels count!